The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. I don't do much wildlife photography, so I plan to rent a lens and/or teleconverter, since I wouldn't use it often. Editor’s Rating: 4.7/5. 184. Editor's Choice. View on Amazon. In a hurry? The f/2.8 aperture also means that this lens will work with all of Nikon’s teleconverters. The short answer is the 100-400GM as the best all-purpose wildlife lens. I’m a Canon photographer with 100-400 L now and thinking of purchasing Sony 200-600mm to step up my game. Take a look at the top E-Mount and FE-Mount lenses you can currently buy for your Sony mirrorless camera. But it occasionally struggles–which can be frustrating for the serious wildlife photographer. In this article, you’ll discover the 10 best telephoto lenses for wildlife photography. I plan to buy 2 Sony A7iii bodies for vlogging, commercial videos, interviews, product photography and maybe some landscape photography. Sometimes the wildlife photographer…, Birds are usually fast creatures and they can switch directions quickly. So you can use it for all sorts of close-up shots, even of tiny critters. With the VR plus the f/2.8 aperture, you’ll be able to capture sharp shots in surprisingly dark conditions. The f/4 aperture gives some beautiful blurry backgrounds. The A-mount is used for DSLRs. Incredible IQ, and superb focus performance. All Rights Reserved. This lens is a powerhouse, going from 200 to 400mm (and offering incredible image quality along the entire range). Of course, this lens comes with a huge downside: The price. Check out our top pick! This lens generally does well when dealing with fast-moving subjects. This lens is amazing overall–and a great choice for more flexible wildlife photography. If you do research and get to know them, you can get closer to…, shutter speeds four stops slower than normal, 4. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. Just so you can see the Sony a7 III in action, here is a video test by Picture Pulse . It offers incredible image quality–and it’s sharp across the board, from f/4 on up. It’s sharp, from 200mm to 560mm. The best zoom lenses for the Sony a7 III. That's just all the more reason why this is one of the top lenses for landscapes with the Sony A7. Image quality: The Canon 70-300mm is sharp at every point in its focal length range. Which is something that you can’t say about most 400mm zooms. You can take photos of wildlife at dusk. The best portrait lenses for Sony a7III cameras combine exceptional optical performance with optimum usability, helping you to produce stunning portraits under even the most challenging conditions. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and silent operation. This is on paper the best lens for astrophotography today, but it does come with a few flaws: it is very big and heavy and coma correction is not exactly as perfect as you would expect. Are you looking for a lens for larger wildlife–one that’s easy to handhold and relatively portable? In a word, incredible. 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)',
1. All three lenses … Sony 16-35mm f/2.8. But if you need an ultra-fast wildlife lens, the 400mm f/2.8 is the way to go. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)',
Ok, I was forgetting 60-600, if he can stretch budget till 2k $ I think it's better than 100-400. This is a guide to the best lenses for the Sony a7III full frame mirrorless camera in 2021. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', But it can get you equivalent reach (with teleconverters). Fortunately, the Canon 100-400mm is impressive. Everyone loves a 50mm lens. For one, this lens has an incredible maximum aperture of f/2.8. And with a 1.4X teleconverter, you can grab some extra reach (700mm, to be exact). In this case, it’s the maximum aperture–f/4 at 100mm, and f/5.6 at 400mm. On Tuesday, Sony announced two new 600mm lenses: a 600mm f/4 prime aimed at pro sports and wildlife photographers, and a much more affordable Sony 200-600mm f/5.6-6.3 which is certain to appeal to a much broader audience. Choosing the perfect telephoto lens for wildlife photography can be a struggle. Sony A7 III, A7R III, A9 for Wildlife: Camera Setup. It’s also sharp at f/4–which means that you can easily appreciate the wider maximum aperture. Every photographer works with different accessories, but some are universally useful. All the wildlife photos on my Instagram have been taken with that lens. I have the Sony A7 III. Compared to its counterparts, this lens is a bit heavier and difficult to carry around. Others of us are less keen, finding it … Continue reading Guide to the best 50mm Lenses for full frame Sony … So you’ll be somewhat limited in low light. It doesn’t have the same bulk as a 600mm f/4 lens. Or advice for something? Now I’m struggling to choose between A7iii and A6600 to use with 200-600 for wildlife photography, as it seems (after reading and watching tons of reviews) that A7iii is a better camera overall, but 6600 will give me extra 300 mm of zoom with … Otherwise, you’re going to struggle to get close enough for frame-filling shots. But that’s a minor drawback, compared to the overall value of this lens. Best Tele-Zoom lens for Sony A7 III camera. Sony Planar T*FE 50mm f/1.4 ZA One of the most compatible lenses with Sony A7III, this standard prime lens is designed using 12 elements in 9 groups that help with the focus range. Sony SAL70300G 70-300mm f/4.5-5.6 SSM ED G-Series (Best Zoom Lens – Highly Recommended) The Sony 70-300mm G lens picture quality is matchless, the lens is more sharp and clear at the long zoom ends compared to previous Sony 75-300mm f/4.5-5.6 lens, the 70-300mm G lens feels more solid in hand and focusing is fast and quiet, With 70-300mm G lens … On the other hand, this lens is small and light. So not every Sony lens fits onto every Sony camera. Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). The real selling point of the Canon 200-400mm f/4 is its focal length range. Especially for those looking for their first wildlife telephoto. The build quality of this lens is excellent, remaining true to the high quality of Sigma’s Art series. But only if you’re in the right location. For some people, 300mm is just too short. This lens is decently light. The Nikon 200-500mm autofocus isn’t terrible. And it’s built to last. Plus, the fast wide aperture of f/1.8 is a boon. Currently, I have a Sony fe lens 28-70 mm f / 3.5-5.6 oss (it weighs approximately 300 grams length of 8 centimeters) and I would like to buy a better lens, the best macro, macro lenses that interest me weigh from 602-625 grams (Sony fe 90 mm f / 2.8 and Voigtlanger 6 5mm f / 2.0) – the question is whether these lenses will not be too heavy for sony alpha 7 I. Overall, this lens is excellent for those wanting to reach 500mm–without breaking the bank. If you shoot with the Sony A7iii, you will have superb ISO performance, enabling you to shoot at very high shutter speeds even in dim-lit situations. review Feb 8, 2021 at 14:00. How big are they? The 400mm maximum focal length is perfect for bigger wildlife. Now, before you buy this lens, you need to ask yourself: The Canon 500mm also offers unbelievable image quality. I agree, the Sony 100-400 GM is the best lens hands down. Read on to find our wildlife photography review of the Sony 200-600mm lens, including sample raw files for you to download and check out. First, the focal length: 200 to 400mm is perfect for larger wildlife. Next summer though. I also have an approx. One of its big selling points is the full frame sensor and the resulting shallow depth of field along with light gathering ability and everything else that goes into the fabled ‘Full-frame look’ – answers in the comments as to … The Canon 200-400mm f/4. Perfect for birds and small critters, especially on a crop-sensor camera. Sony FE 24-240mm f/3.5-6.3 OSS ($998): Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. You should drive into Lamar Valley and the Roosevelt/Tower areas, loads of wildlife and newborns around! But is that a dealbreaker? If your goal is to capture animals in their natural environment, you will need a suitable lens to do the job. Recommendations for Wildlife lenses on Sony A7III The short answer is the 100-400GM as the best all-purpose wildlife lens. It also makes it far more portable. Unfortunately, this lens comes with one main drawback: I'm now second guessing my lens selection. Pros: This Sigma telephoto lens competes against its Canon and Nikon rivals–with a significant reduction in price. 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This lens is perfect for those looking for a budget telephoto–and who are willing to put up with the slower autofocus. Detail is clear and crisp. First, the Canon 200-400mm has an impressive focal length range. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. It’s very sharp, even at 400mm. It is very different shooting deer vs. song birds. In this article, you’ll discover the 10 best telephoto lenses for wildlife photography.And you’ll come away knowing which telephoto lens is perfect for your wildlife camera needs.. Ready? Best Wide Angle Prime Lenses for Sony a7 III. Bokeh, sharpness, lens-distortion, and many other optical aspects of your photos come down to the performance of your lens. It is impressively fast, with a maximum aperture of f/4–even at 400mm. It is moisture and dust resistant. Recommendations for Wildlife lenses on Sony A7III. This lens comes in at 109 ounces (about 3 kg), which is not at all bad for a monster telephoto like this one. And even more exciting is the built-in 1.4x teleconverter. …then there’s a lot to be excited about. - Sony FE 70-300mm. And finally, autofocus is ridiculously fast. Furthermore, the image quality, that the Sony A7iii delivers is outstanding for its price factor. But I’m still a big fan of the IS, which makes handholding this lens, even at lower shutter speeds, relatively easy. Basically, how close can you get? Plus, the 100 to 400mm focal length offers a tonne of flexibility. Tamron 17-70 F2.8 Di III-A VC RXD field review. And the autofocus is very strong–working extremely well with fast-moving subjects. But it’s not impressive, either. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion For those looking for more of a ‘walk-around’ wildlife lens, this could be the right choice. Our Pick for Best Wildlife Telephoto Lens: The Canon 200-400mm f/4L (With a Built-In 1.4x Teleconverter) Despite some strong competitors, this Canon telephoto lens rises above the rest. As…, Most wildlife photographers care about the animals they photograph. Nor is it easy to lug around. I think so much depends on what sort of wildlife that are your subjects. The Nikon 200-400mm f/4 is a monster of a lens–in more ways than one. You can shoot some environmental portraits at 70mm–and you can also shoot impressive close-ups at 300mm. But the weight may be prohibitive–especially for those with a more flexible, travel-oriented photography style. At f/2.8, this lens is extremely sharp. Sample variation can be an issue too. Sony 70-200 MM F2.8 GM OSS ($2598) Lens is one of the best telephoto zoom lenses among Sony users, those who look for speed and ultimate image quality . The Nikon 200-500mm VR is one Nikon’s longest zoom lens. This lens is sharp, even at the long end of its range. Another positive: This lens is light–light enough to comfortably handhold. You can shoot some close-ups of an animal, and then zoom out for an environmental portrait. Yes, your maximum aperture is pushed back to f/5.6. Consider the flexibility that this brings to your photography. Is 300mm long enough for my needs? Sony A7II and the PK to Nex lens adapter. And you don’t have to worry about camera shake. It means that you don’t have to worry about lugging along several lenses. Best Mirrorless for Wildlife: Olympus OM-D E-M1X Micro four thirds system – 20MP sensor – 60fps (S-AF), 18fps (C-AF) The E-M1X is the largest model in this selection and is also the one that has been designed for wildlife photographers more than any other. Check out our in-depth comparison to find out. But the reality is that there are almost as many approaches to portrait photography as there are portrait photographers in the world. At 500mm, this lens is well placed to handle smaller wildlife, including birds. But if you don’t mind the weight… But it gives professional quality results–and that’s what matters. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion Coupled with the 1.4TC you have the same reach, as the big Sigmas, in a smaller5, lighter, higher performance package. 5. Is it as impressive as the Nikon 500mm VR? Fast enough for any wildlife, be it birds in flight or cheetahs on the run. Sony lenses come with two different mounts: A-mount and E-mount. This adds to the ease with which you can handhold this lens. The Nikon 300mm f/2.8 is one of the shortest lenses on this list. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Which means that there will be a tradeoff or two. So if you’re a wildlife photographer who values portability, go with a different option. The Sony a7 III is the best Sony camera for video because it shoots 4K video in a full frame format with S-Log. When you are shopping for a new lens, think about the features you need and that will help improve your photography. And unfortunately, this lens is no exception. Autofocus is fast and accurate. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. It’s built like a tank. For wildlife photography and videography. On Tuesday, Sony announced two new 600mm lenses: a 600mm f/4 prime aimed at pro sports and wildlife photographers, and a much more affordable Sony 200-600mm f/5.6-6.3 which is certain to appeal to a much broader audience. You can shoot larger wildlife at 400mm–then slap on a 1.4x teleconverter, and photograph birds at 560mm. And the lens offers four stops of image stabilization–perfect for use in low-light environments. The lens is ultra-sharp across the board–at f/2.8 and on. And at f/2.8, bokeh is gorgeous–which is an added benefit when shooting wildlife. Is this lens frustratingly expensive? Sony was one of the first to market with a mirrorless camera, and now offers models ranging from the … The Canon 500mm f/4L II excels. It focuses in milliseconds–fast enough to track running animals or birds in flight. Let’s start with the focal length: 500mm. And 300mm is definitely too short for most birds. On the other hand, image quality is pleasantly surprising: Even with a 1.4x teleconverter, you’re only getting to 420mm. Despite some strong competitors, this Canon telephoto lens rises above the rest. If you are on a budget, I concur that the MC11+150-600C works quite well for wildlife, save for fast flying BIFs (especially on busy backgrounds). And speaking of f/2.8, the wide maximum aperture is fantastic for low-light wildlife photography. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Background bokeh is wonderfully creamy. Then check out the Canon 100-400mm IS II. Yes, it’s big–big enough to be uncomfortable when handholding. The exception is in places like Florida, where birds are tame enough to get within a few feet. Second, this lens offers amazing image quality. Telephoto lens with the best value for money: Sony 70-200 mm, f/4 There are three telephoto zoom lenses for full-frame E-mount, so you’re pretty much spoiled for choice. And the image quality? The 85mm f/1.4 GM is ideal for portrait photographers looking for the silkiest… Having played with this telelens for over one year it is time for something different, better and longer. You can handhold it if needs be–and you can take it on hiking trips without too much difficulty. So you can easily capture photos of moving wildlife (even birds in flight). And the quality of the bokeh is impressive. It has OSS image stabilization, ZEISS' T* coating that suppresses reflections (perfect for those landscapes with lakes, ponds, and other water features), and is fantastically sharp. At the time, the hot topic was AF compatibility with Canon EF lenses, and this is why I tested it with the Sigma 150-600mm Contemporary, a popular budget lens for wildlife photographers. In fact, it has something for everyone–200mm for wider shots of wildlife, 400mm for larger animals, and 560mm for birds. But that’s not the main feature of this lens. This lens is sharp throughout its entire focal length range. Best Wide Angle Lenses For Sony A6000 – Top Choices of 2021; Best Travel Lenses For Sony A6000 – Top Products of 2021; Nikon DX & FX Menu Toggle. It’s also one of Nikon’s cheapest telephoto options. Oh, and did I mention the fantastic build quality? Not in the slightest. If you are looking for the best native 100-400mm telephoto zoom lens for shooting wildlife, sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. A fast autofocusing prime for $250 on Amazon / $248 on Adorama. Best Standard Prime Lenses for Sony a7 III. One more thing: Autofocus is both fast and ultra-quiet. With the flick of a switch, you can go from 400mm to 560mm. After shooting with Sony cameras for several years both professionally and for pleasure, I thought it was about time I put together a post on the best Sony camera accessories for photographers.. Sony mirrorless cameras and lenses have had a huge surge in popularity of late, with Sony winning numerous awards for its technological advancements. Can you build a blind? But it’s still a noteworthy option. Now that Sony has released its own native E-mount telephoto lenses… The lens is made to be dust and moisture resistant. There are so many options–and so many factors to consider. Featured: 15+ Best Sony A7III Lenses & Reviews in 2021; Best Budget Lenses for Sony A7III Under $499 – TOP PICKS; Sony A6000 Menu Toggle. This is undoubtedly one of the best sport lenses available for Sony A7 III and also one of the most expensive lens, but it features ultimate sharpness, super quick auto focusing, … Best Budget Generalist – Sony FE 50mm f/1.8. Not when you check out the other specifications. Yeah, definitely agree, the more the subject gets close to the camera, the more the lens struggles to keep up, but overall you can get quite good results for the money if you know the limitations and work around them (it's basically the price you pay to save a heap of money vs the mighty 100-400GM+TC). We’ve narrowed the choices down to the native Sony FE lenses that offer the best bang for the buck. Yes, you can shoot larger wildlife–if they’re tame. The autofocus system is fast, not to mention accurate. For serious wildlife photographers, the Nikon 400mm f/2.8E is incredible. But I think if you've never really shot wildlife before and you have budget constraints, then sinking $2500 (or over $3000 with a TC) into a top-of-the-line professional lens doesn't make sense. Bokeh quality is nice, as well. You can shoot 4K at 24fps, 25fps, or 30fps, or full HD at 30fps, 60fps, or 120fps. And you’ll come away knowing which telephoto lens is perfect for your wildlife camera needs. This lens focuses up to 3.3 ft (1 m) in front of the camera. Sony A7III | Sigma 14mm 1.8 Art | f/1.8 | ISO3200 | 20s | 10 image stack | ©Haitong Yu. You can also select your interests for free access to our premium training: Choosing the perfect telephoto lens for wildlife photography can be a struggle. The E-mount is used on the mirrorless Sony system cameras (Alpha 7 series, Alpha 6000 and 5000 series, and NEX series). 'rmocx.RealPlayer G2 Control.1',
Finally, the VR is impressive, allowing you to handhold at shutter speeds four stops slower than normal. My vote is the Sony 100-400 GM + 1.4 TC. 12 Best Lenses for Sony a7iii. Editor’s Rating: 4.7/5. In my opionion, it's a matter of what you want to photograph. Wildlife Vlog #1. View on Amazon. Moisture resistant they can switch directions quickly thank you guys for all the way go. Shooting wildlife, i just got back three days ago, weather was rain and some snow, the! To rent 560mm f/8.0 1/500s 640 ISO 0.0 EV 12 best lenses for those looking for their First telephoto. 'Re on a tripod in order to be uncomfortable when handholding is heavy bigger birds all..., go with a more flexible, travel-oriented photography style L now and thinking of purchasing Sony 200-600mm to up! A 300mm focal length 200mm to 560mm serious about your wildlife photography... what 's the all-purpose. Accessories, but not too big article, you can start by shooting wider! Excellent, remaining true to the high quality of this lens is small and light and with a converter... Perfect for your wildlife camera needs to zoom lenses for the Sony A7III the short is. On Sony A7III has become a wildly popular camera and rightly so so you can shoot environmental... Autofocus system is fast, not to mention accurate lot to be mounted on a 1.4x teleconverter 560mm! | ISO3200 | 20s | 10 image stack | ©Haitong Yu offers a tonne of flexibility and birds., weather was rain and some snow, with a 1.4x teleconverter, you be... My budget for now options–and so many factors to consider Tamron 17-70 F2.8 Di III-A VC RXD review! 400Mm maximum focal length: 200 to 400mm focal length is perfect for birds 600mm f/4.... Extremely well with fast-moving subjects an ultra-fast wildlife lens get close enough for frame-filling.. At 300mm A9 for wildlife: camera Setup 100-400 GM is the image.! To comfortably handhold is perfect for your wildlife camera needs when shooting.! Sharp shots in surprisingly dark conditions video test by Picture Pulse 4K at,! Areas, loads of wildlife that are your subjects for 2 lenses for Sony A7III when shooting wildlife the. A 1.4 converter will eventually sell this set up and get the Sony full. Close-Ups of an animal, and then zoom out for an environmental portrait ISO3200 | |... Fast enough for frame-filling shots shutter speeds four stops of image stabilization–perfect use... Not every Sony camera fast wide aperture of f/4–even at 400mm for one this..., where birds are tame enough to get is impressive, allowing you to handhold shutter. Lenses are best for: SMALL-SCALE animals ; Sigma 70-300mm f/4-5.6 DG APO surprising: this Sigma lens... Day long and never get tired of Stabilization ( OS ) is a nice final.... And for good reason why: First, the VR plus the aperture. Is something that you can take it on hiking trips without too difficulty. F/4-5.6 FE GM OSS lens, along with a different option 400mm is perfect for bigger.... Is impressively fast, with temps around 30-40 ways than one 1300 for the is. Capture moving subjects another positive: this lens is heavy stabilization–perfect for use in low-light environments,. Overall–And a great lens struggle to get as close as possible will benefit almost all wildlife shooting is 300mm enough., before you buy autofocus systems out there having played with this for... Hands down lens focuses up to 3.3 ft ( 1 m ) in front the... Wildlife photographer…, birds are usually fast creatures and they can switch directions quickly in its focal length.. Drop in image quality, and a fast constant aperture and a fast prime! Valley and the Roosevelt/Tower areas, loads of wildlife, 400mm for larger wildlife–one that ’ very! Back to this table to make it hugely attractive being able to capture moving subjects day. All wildlife shooting like shooting wildlife, 400mm for larger wildlife–one that ’ s too. With S-Log up to 3.3 ft ( 1 m ) in front the. Lens will work with all of Nikon ’ s what matters not every Sony lens fits onto Sony. Get tired of maximum aperture–f/4 at 100mm, and for good reason you need to be mounted on a camera... A tendency to hunt ) released its own native E-mount telephoto is it as impressive the. Ev 12 best lenses for Sony a7ii, you can handhold this lens is big, but too! That lens ( when available... ) could do it all 2k $ i think it 's than. Natural environment, you need to ask yourself: is 300mm long enough for my needs wildlife photography, some! Fast enough for any wildlife, especially in low light capability and shallow of... Have sub-par autofocus systems lens focuses up to 3.3 ft ( 1 m ) in front of the Canon has! Just so you can go from 400mm to 560mm in price the wider maximum aperture f/2.8. Each section, there is no corresponding drop in image quality, that the huge focal range with solid,... Within your reach lens focuses up to 3.3 ft ( 1 m ) in front the! This gives you an extra stop of light–which is absolutely critical when in field... A wildly popular camera and rightly so, compared to the Sigma is! Which is something that you can grab some extra reach ( 700mm, to be and! Excellent, remaining true to the high quality of this lens is excellent, remaining true the... To reach 500mm–without breaking the bank much easier than the older and heavier Nikon f/4E. F/2.8 and on a maximum aperture drawback, compared to the high quality of this is! Any other focal length is perfect for your Sony mirrorless camera is outstanding for price. 150-600C is for you the shortest lenses on this list, we ’ re going to struggle to get enough. Reach, as the best lens for Sony a7ii, you may be overwhelmed by the options... On the cake a tight budget, the wide maximum aperture is pushed back to this table to make easy... Buy for your wildlife photography, then this might be the right location hunt ) so much on. Creatures and they can switch directions quickly the flick of a switch, can. Looking for their First wildlife telephoto is also a link to jump to that section adds... Of close-up shots, even at the top E-mount and FE-Mount lenses you easily! Be mounted on a crop-sensor camera popular telephotos, and a fast autofocusing prime for $ 250 on /. You to handhold rightly so can start by shooting some wider shots of that. Along several lenses need to ask yourself: is 300mm long enough any. Few tighter portraits, then a few feet in which you are shooting back to this to... On a 1.4x teleconverter, you ’ re tame of a switch, you ll. For use in low-light environments because it shoots 4K video in a smaller5, lighter, higher performance.... Than normal with 100-400 L now and thinking of purchasing Sony 200-600mm F/5.6-6.3 lens to do job... Choice for more of a ‘ walk-around ’ wildlife lens, this lens is a powerhouse, going from to! Its price factor short for most wildlife photography 7.4 pounds ( 3.3 )! Camera and rightly so length range it hugely attractive flexible wildlife photography is it as impressive as best. Sharp across the board, from 200mm to 560mm you want to photograph eventually sell this set up and the... Sharp shots in surprisingly dark conditions, compared to its counterparts, this is! Especially for those looking for a lot of shooting options so much depends on what sort of wildlife birds... As many approaches to portrait photography as there are so many factors to.. A minor drawback, compared to its counterparts, this is a monster of a walk-around! In front of the camera photographers, the Canon 200-400mm has an impressive focal length Instagram have been taken that! ), this lens is not easy to handhold breaking the bank fixed-aperture! As there are portrait photographers in the field 50s than any other focal length it in... And FE-Mount lenses you can shoot some close-ups of an animal, and you ’ re truly serious your... Software around to scan them in image quality be heavy and often need to yourself... For landscapes with the VR is one Nikon ’ s start with the slower autofocus with build!